Wednesday, September 28, 2011

The Secret to Success

Last week I put this album in my theatre journal because I thought, well this music has some really great lyrics and means a lot to me, and that's about all of the thinking I did. Season's End, by the English rock band, Marillion, is probably my favorite album of all time, packed full of amazing lyrics on top of stunning guitar work and vocal talent. But this past week, while listening to the opening song, The King of Sunset Town, I realized what makes the words so meaningful...research.

Each song contains details of events and cultures that allow the artist to identify with very narrow audiences while inviting those who might not understand to learn something new about the world. The stories are historical or personal, but always have a universal meaning that is not specific to the time or age.

In creating my own stories and characters, I have discovered that research is going to give everything I do meaning beyond my experiences. Yes, creativity makes writing and performing very personal, but research is what makes art universal.

~Julie

White Clouds Drifting Home

On Sunday, I was able to attend a stunning performance at the Kennedy Center by an a cappella group from Inner Mongolia called White Clouds Drifting Home. They sang a total of fifteen songs, each of which was completely unique. As a frequent listener of Inner Mongolian music, I expected to hear some familiar tunes, but I have never heard anything quite like this group before.

Some of my favorite moments included the female solo in the fourth song, called "Lonely Camel Kids," which sent chills up my spine, and the instrumental piece entitled "Gallop of Horse Crowd," which featured two very unique instruments (one like a guitar and another similar to a violin) and their players, who sang along the very traditional Mongolian chant. Another highlight was the eighth song, "Joyous Nadamu," which was sung only by the men in the group, who left the stage and returned dressed in warrior costumes. Their bare bellies sure got a cheer from the audience, but their song, which reminded me of the theme song from Rango, deserved applause regardless of the funny personas of the performers.

The amazing talent of the group aside, I picked up on several interesting performing techniques. The first was the precision with which they followed their conductor. Although she had her back to the audience, you could tell that whatever she did held the performers together. Not only the volume and musical cues, but the energy of every song was determined by this one woman. It really demonstrated to me the importance of leadership in any kind of theatre. Just as the disposition of the president determines the attitude of his citizens, the director determines the mood of his cast and is essential to keeping it working smoothly.

Another technique I noticed, that was specific to White Clouds Drifting Home, was how their voices moved together but their movements were unique. Although each member wore the identical costume as the person next to them, each personality shined through. Without specific choreography, some stood still while others swayed. Some smiled and others intently watch the conductor, depending on their interpretation of the song. As a member of the audience, I found this helpful because I watched the performer who I could relate to. This is an interesting way to include everyone in the performance as each person watching is sure to be able to identify with at least one of the singers, making the show much more personal, despite the difference in language.

~Julie

Wednesday, September 21, 2011

Goldilocks and the Three Bears

A few weeks ago, we did an exercise in theatre in the making where we tried our hand at planning what it would be like to put a regular fairy tale on the stage. First, as a class, we chose a story, "Goldilocks and the Three Bears." Then we discussed our own visions of the story; what the setting should be and how that would change the story. After we had a clear view of what we all wanted, we were given a box of random objects which we were to use to build a set. This stimulated the reality that as a director, you are not always given what you want to make your vision a reality. Our creativity was truly tested here as we turned beach balls, spoons and even a Slinky into chairs. Once our set was completely put together (messy sketch of our final design shown right) it was story time! This is what I came up with:

Once upon a time in a small town in the middle of winter, a light snow was beginning to fall from the evening sky. A young girl trudged through the dusky light with one expression on her face: frustration. Goldilocks, with all the wonderful blessings in her life, could not stand living a moment longer. At least not the way she was living now. She had been dancing at a dinner party when her father announced to all of those gathered that she would be marrying Sir William Buffy, a wealthy man with a good name. At that instant, Goldilocks took off running. She didn’t want anything that her parents wanted for her. No fancy lifestyle, no rich husband, no dinner parties, just a regular house with a family she loved to spend time with.
With that in mind, Goldilocks, ran through the snow to the only place she like to be, a little village called Locktown. She used to run away from home when she was little and wondered what life was like outside her family’s manor.
So when Goldilocks finally arrived, she tripped over a big rock and stumbled into the snow.
“Oh, no!” she yelped, as she rose from the snow and mud. Her beautiful pink satin dress and purse were covered in mud, her left pigtail had fallen out, and, worst of all, her right heel had broken right off!
She searched for some place to sit while recovering from the catastrophe, and saw exactly what she was looking for off to her right along the forest edge. There was a strange house that looked as though it was made of cardboard that had some chairs next to it. It had a huge clock on top and almost looked like it had been abandoned, so she limped over and to take a closer look.
There were three chairs next to the cardboard house, but they were unlike anything she had ever seen before. The first one looked like a big plastic ball that had been deflated, but it was still taller than Goldilocks. She decided to take a seat anyway, but regretted it immediately. The chair sucked her in so fast that she couldn’t pull herself out before she had been entirely engulfed in this suffocating blob. She kicked and wriggled until the entire chair flipped over and dumped her onto the ground.
“That is just too big for me, that chair!” Goldilocks said.
But seconds later she discovered another chair, almost as strange as the first. It was metal and round and looked like a giant slinky! She tried to sit down, but every time she did, it bounced her right back on her feet. Luckily, a third chair was sitting next to this one. It looked like a giant spoon but it was the perfect size for Goldilocks so she sat down a little to quickly.
SNAP!
The chair broke right under Goldilocks and she fell into the snow in a crumpled heap of golden hair and pink satin. As soon as she managed to pick herself up, a shiver ran up her spine.
“I have got to warm up!” she exclaimed.
That was when she noticed that the big metal door of the house was hanging open, inviting her in with the cozy smell of hot porridge. Goldilocks hesitantly made her way over and shoved the door open with her broken shoe. The door, shaped like an oversized light switch cover clanked to the ground of the cardboard house and revealed the inside of this empty abode. Well, almost empty. Right in front of Goldilocks was a small wooden table with three bowls on top, each made with the head of a spoon and filled with porridge. Against her better judgment, Goldilocks couldn’t help but taste the delicious smelling food. It would be so nice to taste something warm on this snowy night. But the first bowl she put to her lips was freezing cold, so she moved on to the second bowl. But this bowl was scalding hot and Goldilocks squealed as she burnt her tongue. There was still one last bowl, though, and she just had to have some hot porridge, so Goldilocks took a long sip and smiled with satisfaction until,
“Ahhhhhhhhhhhhhhhhhhhhhhhhh!”
Goldilocks had bitten down on an orange spider that was floating in the porridge! She ran to the big bath tub made out of a paper bag and spat the spider out, feeling sick to her stomach. And so, fearing that she might pass out, Goldilocks laid down on the first of three beds in the house. It was comfortable but there was only one blanket spanned over all three beds and there just wasn’t enough on this one to keep her warm. So Goldilocks moved to the next bed but it was made out of wood and was too hard to sleep on. She moved on to the next bed and it was just right. It was a square battery case and Goldilocks fell asleep on it right away.
As the clock on top of the house ticked on, three bears walked out of the forest next to the house. They noticed that someone had been sitting in their chairs and that Baby Bear’s spoon chair had been broken. Papa Bear was the first to notice that their front door had been pushed over and Mama Bear immediately shouted that they had been robbed. As they entered their house, though, nothing they could see was missing except for a few bits of porridge. Then Baby Bear saw her…a blonde, pigtailed, dirty girl, lying in his bed. He gave out a loud scream and his parents came running.
The bears had no idea what to do with the girl, but Mama Bear knew that Papa Bear was getting hungry and she had to act fast. Luckily for her and Goldilocks, though, someone else was thinking faster. After he heard the screams next door, the local mason had come running. He ran through the door with an ax raise above his head and stopped short. He knew the Bears well and had no intention of hurting them until he saw Papa Bear bent over a young girl, baring his teeth. But she wasn’t just any girl. She was Goldilocks. He raised his ax and charged, swooping Goldilocks in his arms and breaking through one of the cardboard walls out into the snowy night.
The mason ran and ran until he knew Papa Bear could never find them and the he placed sleeping Goldilocks next to him and pushed her hair out of her face. She woke with a start, very discombobulated and  trying to see where she was. But she couldn’t believe her ears when she heard a voice coming from right next to her, saying,
“Its okay, we’re safe.”
It sounded a lot like…no way,
“John!” her childhood sweetheart who lived in Locktown.
“I missed you,” he said.
And they lived happily ever after.

~ Julie

Saturday, September 10, 2011

Out of this World

Last week in theatre class, we had an interesting conversation regarding the end of a performance. While reading a chapter from Peter Brook's book, The Empty Space, called "The Holy Theatre," we stopped to discuss what happens when the curtain goes down and the audience is left to figure out how it feels. Its obvious that when the end of a happy love story comes along, everyone should applaud and have a smile on their face. But what about at the end of a tragedy? The reaction is far more confusing. Usually there is a moment of silence where everyone is completely engulfed in the experience and unable to move. Seconds later, though, the spell is broken and everyone is brought back to reality so that they can applaud the actors who took them to that other place and time.

Yesterday in school this exact situation occurred. During a memorial ceremony for those who died in the events of 9/11/01 and those who continue to protect this nation, the Madrigals choir sang the song Jesus Wept. However, they didn't just sing it from the corner of the auditorium. Instead, they surrounded the entire student body and held candles. The performance caught many people of guard, including myself, and was so full of emotion that I felt tears swelling in my eyes. In that minute, everything was silent except for those few voices that kept us trapped. As the song ended and the Madrigals placed their candles back on the ground the silence remained. No one moved and no one spoke. But an instant later, the confused clapping started. Everyone was surprised by the intensity of the song that no one knew how to react and so we began instinctively applauding.

It is interesting that the audience was not comfortable with remaining in that second of unity for longer. I am still not exactly sure why that is and I don't think I will every really understand it. The only thing I know is that even though that kind of silence is completely natural, it is so often abruptly interrupted by reality and willfully forgotten about. 

~Julie

Wednesday, September 7, 2011

You Can't Stop Mrs. Lovett

This is a video of me practicing singing the song "By the Sea" from the musical SWEENEY TODD for HAIRSPRAY auditions at school. I picked this song because, not only do I sing it all the time, but I love the playful beat of the music and the dreams laid out in the lyrics. Although I am not really a singer, I enjoy musicals immensely and have always wanted to play a character like Mrs. Lovett from SWEENEY TODD. She is a very complex character and gets to sing some of the most difficult music ever written by Steven Sondheim. No matter how well I did in the audition, I really focused on enjoying singing on stage.



~Julie

This is the Day

At the end of the Academy of the Holy Cross spring production of TWELFTH NIGHT, I wrote this poem to record what I was feeling and why. Now it inspires me to keep getting up on that stage even when I am scared of what will happen.

This is the day, this is the day!
To cry and smile all day
Great times come to an end today
But stories survive of today
This is the day, this is the day!
For memories to grow today
Joy shines eternally today
For friendships last after today
This is the day, this is the day!
Soak up every moment today
Smile every second today
Oh, love every word said today
For no day will outshine today
This is the day, this is the day!

~Julie